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Written by Richard Greenberg
Directed by Blanche McIntyre
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| Tracy-Ann Oberman |
Rooted firmly in late 20th century New York City, The Assembled Parties offers two glimpses of a Jewish family gathered to celebrate Christmas. Firstly in 1980 and then, after the interval, 20 years later.
Tracy-Ann Oberman as Faye and Jennifer Westfeldt as her sister in law Julie share the respective matriarchal honours amidst a clan that is riven with both tragedy and dysfunctionality.
While the entire narrative plays out in the two apartments that have been Julie's evolving homes through the years, it is both women who sensitively deliver roles of fragile complexity. Oberman's presence however electrifies the drama. Faye is gifted the lioness's share of the more acerbic one-liners, presenting the rare treat of a Dorothy Parker-like wit that has been infused with the humour of the Borscht Belt. Oberman's timing and nuanced delivery is en-pointe throughout, creating a bittersweet combination of caustic compassion.
It is the fractured relationships between parents and children that drives Richard Greenberg’s story and if the overall piece feels a tad long at 2 1/2 hours, it leads towards a finale that is surprisingly satisfying and uplifting. Alongside the two leads there is fine work from Alexander Marks and Sam Marks playing a clutch of younger men caught up in the family's issues.
Blanche McIntyre directs with understanding. This is a rare chance to see a play that in 2013 captivated Broadway.
Runs until 22nd November
Photo credit: Helen Murray
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