Sunday 6 May 2018

Grotty - Review

Bunker Theatre, London


Written by Izzy Tennyson 
Directed by Hannah Hauer-King

Izzy Tennyson

Grotty is a dark, grimy, and vivid exploration of the subcultures of London's lesbian scene. Focused on the experiences of Rigby (played by Izzy Tennyson herself), a 22 year old intern at a TV company who also happens to be a drug addled psychotic, we learn that she has managed to get into a plethora of relationships with women that cover the spectrum of lesbian culture. 

Although the play makes for a confused ninety minutes it is not all bad. There is some lovely work from Grace Chilton as Witch, an emotionally and physically scarred dominatrix who delivers a beautiful stillness and vulnerability during a particularly harrowing moment. Anita-Joy Uwajeh as the wholly unlikable and over confident Natty, a self-proclaimed big wig who could pull strings and make anyone an undesirable, was an edgy and bold turn too. 

Anna Reid's set design is effective, proving sufficiently basic and pliable to transform itself from the the hazed shapes you'd just be able to discern in a dark club, into a vague flat, post hook-up.

There are some positives here, it is just difficult to understand what the narrative is trying to convey. To market the show as an exploration into lesbian London is a little disingenuous, the fact that Rigby and the other characters are lesbians proving to be irrelevant. It may well have been that when Tennyson set out to write the play, she intended it to open people’s eyes to lesbian culture. But in her finished work it seems that as the script developed, the ideas popping into to Tennyson's head (LGBT - rape - mental health - suicide - drugs - alcohol - death ) were baldly worked into the text so fleetingly that none of them stayed relevant for long enough to matter.

It is hard to sympathize with a protagonist who continuously complains about her life, grabbing at quick fixes to find validation and self worth and lamenting about having no control, yet refusing to take any. All that is left is a cocaine-riddled millennial, coasting through her narrative as a non-committal, self-centered drain on the people around her, "as long as they have nice flats."

The end result is a play about nothing in particular. Much like its lead character, Grotty tries to say so much but ultimately, says very little.

Runs until 26th May
Reviewed by Charlotte Darcy
Photo credit: The Other Richard

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