Soho Theatre, London
Written by Amy Rosenthal, Alexis Zegerman and Ryan Craig
Directed by Kayla Feldman
It’s not often that a play writes its own review, but when Nigel Planer’s Michael, a retired obstetrician, refers early on in The Arc to “a shimmering platter of bollocks on toast” he could have been describing The Arc itself.
A trilogy of new short plays by three different writers, The Arc strives to give an alternative Jewish perspective on Birth, Marriage and Death (also the titles of each drama). On for a short run at Soho Theatre’s Upstairs house, the venue was packed for this mid-run performance.
A well drilled and high-performing cast deliver the pieces, but aside from some neatly observed pathos in Alexis Zegerman’s Marriage that focusses on some of the finely nuanced complexities of dating, there’s more Jewish life-cycle substance to found in the Social and Personal columns of the JC.
All of the actors are great, notably Nigel Planer in Amy Rosenthal’s Birth and equally Abigail Weinstock in Marriage. But notwithstanding the performances that Kayla Feldman coaxes from her company in this mercifully short (hour-long) production, what The Arc lacks in credibility it makes up for in groaning cliche.
Runs until 26th August
Photo credit: Danny with a camera