12 Angry Men - Review

Richmond Theatre, Richmond

****

Written by Reginald Rose

Directed by Christopher Haydon

The cast of 12 Angry Men

Catching up with the Bill Kenwright company’s touring production of 12 Angry Men proved an absolute delight. Reginald Rose’s classic yarn set in the jury room of a murder trial where with the death penalty awaiting a guilty verdict the life of the accused rests in the jurors’ hands, is done to perfection by an outstanding cast.

Jason Merrells takes up the role of Juror 8 - famously played by Henry Fonda in Sidney Lumet’s 1957 movie - kicking off proceedings as the sole Not Guilty voter amongst the 12. For those not familiar with the story, this review won’t spoil the outcome, suffice to say it’s a charming pot-boiler of a yarn that picks apart the trial’s evidence, drawing its dramatic strength through exposing the attitudes and prejudices of the titular dozen along the way.

Merrells is great but he’s well matched by Tristan Gemmill’s Juror 3, the play’s protagonist who is the most convinced that the accused should face the electric chair. There is brilliant supporting work too, notably from Michael Greco and Gary Webster, but it should be said that the entire cast, comprising a fair chunk of the cream of Britain’s acting talent pull off a terrific ensemble performance. Richmond Theatre was deservedly packed on the night of this review. Christopher Haydon has directed a brilliant evening’s entertainment which seen on the road, at regional theatre ticket prices, is brilliantly affordable too.

My verdict: Electrifying! Catch it if you can.

Runs until 10th February then continues on tour

Photo credit: Jack Merriman

Exposure - Review

St James Theatre, London


**


Music, lyrics and book by Mike Dyer
Directed by Phil Willmott

The company

With a talented cast, fleshed out with the odd soap star and a top notch creative team, Exposure promised to be a night of lively, entertaining theatre. It was certainly lively, but that didn't save it from being entirely nonsensical and ridiculous. 

In the 12 years it took Dyer to write the book and having collaborated with as many composers, why did nobody sit the man down and let him know he was creating, possibly the most bizarre piece of theatre ever written.

The story, such as it is, follows Jimmy, (David Albury) a passionate photographer who has just returned from a harrowing assignment in the Sudan to take some PR shots of a pop princess (Niamh Perry) that he used to go to school with. Possibly (to many in the audience) one of the few good things about this show was that more often than not the ripped Albury was shirtless.

Jimmy is then introduced to the pop star's demonic manager, Miles Mason (Michael Greco), who at one point sings a song (entitled Miles Mason) about how hearing his own name gives him an erection - though to be honest, given Greco's inability to pronounce words clearly, the hardest part of the number was trying to discern the words at all.

Greco propositions our leading man to take paparazzi photographs of examples of the seven deadly sins. What follows is then some bizarre satanic battle in a London Underground inspired Hell. And somewhere in all of this madness Jimmy falls in love with a random homeless woman, Tara, (Natalie Anderson) who makes angels out of coke cans. 

The show’s truly impressive feature is Lindon Barr's choreography. The ensemble were incredibly tight and despite the ever changing story line, the movement in each scene was perfect. Barr should be proud of himself.

One doubts that this musical will be revisited any time soon - it may well have received too much exposure already.

Runs until 27th August

Reviewed by Charlotte Darcy

Photo credit Pamela Raith