The Bodyguard - The Musical - Review

Churchill Theatre, Bromley

****

Based on the Warner Bros film

Screenplay by Lawrence Kasdan

Book by Alexander Dinelaris

Directed by Thea Sharrock

Melody Thornton and the company of The Bodyguard

Having conquered London’s West End 10 years ago, Alexander Dinelaris’s production of The Bodyguard returns to the UK with a nationwide tour, arriving at Bromley’s Churchill Theatre and playing to a packed house on this, its fifth location on the road. 

With a wonderfully hokum narrative hung around Whitney Houston’s most famous hits, it follows the story of fictional singer Rachel Marron who has recently hired a bodyguard following threats from a stalker. You can expect drama, romance, emotion and of course, Houston’s 80s and 90s classics we all know and love.

Six years on from playing the lead role on tour in China, Melody Thornton reprises her role as Rachel Marron, alongside Ayden Callaghan as bodyguard Frank Farmer. An incredibly demanding sing, Thornton delivers exceptional vocals throughout, particularly in the climactic One Moment in Time and finale I Will Always Love You, giving Whitney's recordings a run for their money! Callaghan’s performance was stoical, with hints of humour along the way, playing the role of dependable yet emotionless bodyguard very well.

Particular mention must go to Emily-Mae Walker playing the role of Marron’s sister, Nikki. Her vocals were breathtaking and effortless - a pleasure to listen to. Hers and Thornton’s duet of Run To You towards the end of act one captured the audience with its stunning harmonies. Walker and Thornton were joined by Iesa Miller, playing Rachel’s son, Fletcher, in a heart-warming trio rendition of Jesus Loves Me. Miller delivered an impressive performance for such a young age, with believable acting and fantastic vocals and dancing.

The first half's plot is sometimes slow, but act two picks up the pace, full of suspense with a few jump-scares resulting in screams and subsequent laughs from the audience. The whole performance is impressive, with pyrotechnics, brilliant ensemble choreography, a dazzling wardrobe and a couple of stand-out vocal powerhouses - it has something for everyone with the encore of I Wanna Dance With Somebody getting all of the audience on their feet to dance away with the cast.

Playing at the Churchill until Saturday 20th May and then touring until the end of the year, audiences will love this show that will certainly leave them wanting to dance with somebody!

Runs until 20th May and then tours

Reviewed by Sophie Kale

The Bodyguard - 2013 Cast

Adelphi Theatre, London

****

Based on the Warner Bros. Film
Screenplay by Lawrence Kasdan
Book by Alexander Dinelaris
Directed by Thea Sharrock

Beverley Knight and Tristan Gemmill

A cast change is always a good excuse to be asked back to a show, so as Beverly Knight sets out her take on The Bodyguard’s Rachel Marron, the singer with fans to die for, we train our sights on the West End’s newest diva, in this blockbuster tribute to the Whitney Houston / Kevin Costner Oscar-nominated song fest.

Earlier comments on the show and its story can be found here. This new pairing of Knight with Tristan Gemmill as Frank Farmer, the hired gun who has her back, has some truly inspired moments. Knight opens the show with 'Queen of the Night' and goes on to simply own her stage. Knight the singer is spine-tinglingly sublime, though as her character’s feelings for Farmer dedevelop and she becomes increasingly torn between the safety of her family and her career, Knight the actress slightly loses impact and her underlying emotions seem to faulter. Early days mind you and these will no doubt strengthen over time.

Gemmill’s Frank oozes with masterful control from start to finish. From befriending Marron’s young and initially cynical son Fletcher (a cute and professional turn from Elliot Aubrey) early on, to charming the star in a karaoke bar, he avoids arrogance and defines Farmer’s virtue of a quiet understated presence that modestly belies his focussed mind and sharpened steeled backbone. Providing a tragically conflicting love interest, Debbie Kurup as Marron’s sister Nicki remains one of the Adelphi’s treats.

This juke box musical may still be one of the new kids on the block compared to some of its moneyspinning rivals, but it’s a gripping show that packs a punch. On this visit, one of the show’s truly thrilling high-spots made an audience member literally scream out in fright, a moment of pure theatrical gold. It may be a cheesy tale, but you already know the songs and you’ll love the performances. For a night that continues to be world-class West End excellence, The Bodyguard’s got it covered.


For tickets to The Bodyguard click here

The Bodyguard - A New Musical

Adelphi Theatre, London

****

Based on the Warner Bros. Film

Screenplay by Lawrence Kasdan

Book by Alexander Dinelaris

Directed by Thea Sharrock



Mark Letheren as Rachel Marron's stalker



The Bodyguard at London’s Adelphi Theatre has been around for almost three months and played this week to a reassuringly packed house on a wintry Thursday night. Alexander Dinelarishas has taken Lawrence Kasdan’s twenty year old screenplay that was embellished with the starring roles of singer Whitney Houston and Kevin Costner as the gun hired to protect her and filleted it down to a staged tale, taking not only a few (modest) liberties with the storyline but also cannily identifying moments along his story’s journey to liberally add in Houston’s hits at any available opportunity. And do you know what? It's a little corny, but it works!

The story broadly follows fictional singer Rachel Marron and her family and entourage and how following the receipt of crazed threats, a skilled bodyguard is hired for the close protection of the star. Any more detail would spoil a good show. If you know the film, expect a few surprises and if you are new to the tale then expect an entertaining ride with a few thrills and spills and the occasional tear too.

The American actress Heather Headley is headlined as starring as Marron. Not so well known in the UK, her Broadway credentials are impeccable. However, it was with a little initial (and short lived) disappointment that we learned that Gloria Onitiri was to take the lead at the performance reviewed here. The cast list states Onitiri as an Ensemble member, yet her detailed bio in the programme describes her as Alternate Rachel Marron. We subsequently learned that she regularly covers for Headley in what is clearly a demanding role. Note to producers : If you regularly have an alternate playing a lead role, then do what Phantom Of The Opera have done for the last 25 years and own up to the fact on your posters and publicity. The honesty does you no harm. Rant over, back to the talent.

Onitiri is quite frankly an unexpected diamond in a glittering show. Her take on Houston’s hits that are sung exquisitely. She was all of rock star, diva, mom and woman-in-love, performed with a gorgeous sound. Her climactic number, Houston's signature hit I Will Always Love You that is an absolute roller-coaster of a song soaring from intimate to epic, was spine tingling. Lloyd Owen as bodyguard Frank Farmer is a turn that is strong and credible. The professional demands of his character demand modest understatement and a performance that is mostly sardonic and laconic. Farmer is allocated few songs in the show (a wise call as a singing bodyguard could well send an audience’s suspended disbelief crashing to the ground) but his rare tuneful moment raises a knowing smile amongst an audience familiar with the tale. The other stunning chanteuse of the night is Debbie Kurup, playing Marron’s sister Nicki. Her delivery of Saving All My Love is exquisite and when she duets with Onitiri, the close harmony work is West End vocal perfection.

Thea Sharrock directs on Tim Hatley’s imaginatively designed set. I suspect the producers have not only an eye on a Broadway opening for the show, but Vegas too, as the classic hits, glitzy sets and not too demanding storyline, will go down well in Nevada’s Sin City. Richard Beadle’s band deliver a very polished and authentic sound ( the delicate guitar lead in to I Will Always Love You was a joy) and for a night of top production values in song and dance, The Bodyguard is another shining example of what makes London the theatre capital of the world.

 

Booking until September 2013