Frostbite, Who Pinched My Muff? - Review

Eagle, London

*****

Written by Gareth Joyner
Directed by Robert McWhir

It is grim to have to publish the a review of a show that has currently had to dim its lights, firstly due to the imposition of Tier 3 restrictions upon London and which now languishes under the quasi-lockdown of Tier 4.

But rather than mourn the closure of Frostbite, Who Pinched My Muff? this review will celebrate the show’s genius and look forward to its intended revival and return to Vauxhall’s Eagle, when lockdown is lifted. 

There are few finer, sassier, wittier, nor more perceptive directors on London’s fringe than Robert McWhir, who crafts Gareth Joyners filthily yet lovingly created script into an eye-wateringly funny two hour whirlwind of adult-focused Disney-esque spoof.

The deliciously camp plot centres upon the evil Demon Frostbite (Nathan Taylor) and his attempts to lure Dame Herda Gerda (Dereck Walker) from her life of purity and chastity, to become his sidekick. Joyner’s story proves as wonderfully fairytale as the season demands – and is only enhanced by a McWhir’s stunning company who deliver pantomime perfection. Immaculate timing, audience interaction (to the extent that masked social-distancing permits) executed with pinpoint perception and moments of excruciatingly hilarious embarrassment, all make for an evening of entertainment that is absolute succour to a world that has been denied much to laugh at for the last 9 months. Not just Taylor and Walker, but their five fellow performers are all at the top of their game, with special mention to Bessy Ewa’s Greta who as dance captain, makes sure that William Spencer’s imaginative choreography is drilled to perfection in the tiny performing space.

Definitely not for children, Frostbite, Who Pinched My Muff? Is quite simply a theatrical treat whose careful crafting has transformed gloriously filthy lowball comedy into high-class entertainment. When it returns to the Eagle’s back garden, it will be unmissable!

Grindr The Opera - Review

Above The Stag Theatre, London


****


Music, lyrics and book by Erik Ransom
Directed by Andrew Beckett

The company of Grindr

In an ingenious conceit, Erik Ransom’s show embodies the Grindr app into a Mephistophelian being who wields a strange, yet credible power over all who engage with the software. It transpires that Ransom’s vision translates perfectly to musical theatre with this sung through “opera” proving to be one of the most refreshing examples of new writing to grace London’s stages in quite some time.

Four men interact with Grindr and strike up liaisons. Throughout, Grindr’s magnetic attraction (ultimately, addiction?) is never far from the surface, with Christian Lunn putting in a strong and perfectly sung performance as the human face of the infernally addictive app. 

The tale’s four Grindr users straddle the ages - ranging from 20-somethings through to mid-fifties - with a sprinkling of bisexuality in amongst the gay. The scenarios that play out appear credible and convincing and even if the play’s denouement is a belief-defying hokum it nonetheless ties the story into a very tight narrative.

The casting of the four (take a bow casting director Harry Blumenau) is immaculate. In decreasing order of age Dereck Walker, David Malcolm, Matthew Grove and William Spencer are, in equal measure, all on top form, with their respective arcs taking them through lust, passion, love, deceit and hypocrisy. The show’s comedy is perfectly delivered, while its pathos is painful. The libretto’s political digs against the Tory-right may be a bit cliched (even as this review is typed, a senior Labour politician cum washing machine salesman is still in the news over his drug-fuelled rent-boy antics) but the songs work, the rhymes are clever, the musical sources are many and the whole thing cracks along under the experienced baton of Aaron Clingham and his three piece band.

There are echoes here of Jerry Springer The Opera. Grand human designs played out to lyrics of utter filth and sometimes scorching wit. Running through most of August in Above The Stag’s new railway arch home (air conditioned and brilliantly laid out it must be said), Grindr - The Opera is great theatre!

Runs until 26th August

Photo credit: Gaz at PBG Studios