Written by Lorien Haynes
Directed by Natalie Abrahami
Lorien Haynes’ two-hander, originally written for the stage, has been given a filmic treatment as a consequence of the pandemic and will shortly be released now as globally available stream.
Spanning the few months immediately following the death from cancer of Liv, Good Grief is about the dynamic that evolves between Liv’s partner Adam and their mutual good friend Cat. There are moments in Haynes’ narrative that show a powerful perception and an empathy towards the bereaved that will resonate with anyone who has lost a loved one. But there are also times when her dialog is unbearably trite and simplistic, stretching credibility to a point where the viewers’ suspended disbelief comes crashing down. And this is even before the distracting speculation of wondering whether Cat and Adam will jump into bed together.
Sian Clifford and Nikesh Patel play the grieving pair with Clifford putting in a well nuanced turn. Patel however struggles to convince. The play’s closing scene of his reading aloud a letter from Liv, penned shortly before her death, should be poignant – but it just doesn’t work. Perhaps live on stage, with the compelling intimacy of a theatre, the script may have delivered more of a punch than Natalie Abrahami has coaxed for her camera.
Credit though to the production’s assembled creatives and technicians. The 45-minute long piece has been smartly put together and with a charming score from Isobel Waller-Bridge too. Not only that, but when you stream Good Grief, a very kind and generous gesture from the producers will see a donation from every ticket sold going to the NHS and Macmillan Cancer Care.
Streaming from 15th February until 15th April
Tickets are available through: