Showing posts with label Charlotte Kennedy. Show all posts
Showing posts with label Charlotte Kennedy. Show all posts

Friday, 6 October 2023

Flowers For Mrs Harris - Review

Riverside Studios, London



****


Music and lyrics by Richard Taylor
Book by Rachel Wagstaff
Based on the novel by Paul Gallico
Directed by Bronagh Lagan


Jenna Russell

Flowers For Mrs Harris is a carefully constructed fairytale for the 20th century that’s all about class, love and coping with bereavement.

Set in the rationed aftermath of World War Two, Ada Harris and Violet Butterfield are two working-class cleaning ladies from Battersea, both widowed in the Great War some 30 years previously. In a time of “make-do and mend” a chance swapping of the women’s wealthy clients sees Ada fall in love with a stunning Christian Dior dress and what follows is a whimsical, magical tale that sees her scrimp and save to travel to Paris to buy her own Dior frock.

The story is as charming as it is improbable, but what makes this revival of Richard Taylor & Rachel Wagstaff’s show is the stunning company that Bronagh Lagan has assembled. Jenna Russell is Ada Harris in a role that could have been written for her. Russell’s Ada is the most perfectly nuanced take on a woman whose character is strong and perceptive yet delicately fragile, a middle-aged cockney concocting heartbreak and humour faultlessly. The show’s tunes may not be memorable, but in the hands of Russell and her supporting cast, they form an exquisite and perceptive take on the human condition.

Not only is Jenna Russell magnificent, she is surrounded by a stunning ensemble. Without giving too much away, all of the actors who play characters from Ada’s Battersea life, pop up again in Paris subtly mirroring their previous incarnations. All are excellent, but worthy of mention are Hal Fowler who plays the spirit of Ada’s dead husband Albert in act one. As down-to-earth as his missus, Fowler’s turn is one of magnificent sensitivity.

Charlotte Kennedy

Equally brilliant is Charlotte Kennedy, who in the second half stuns as Parisian model Natasha. Kennedy breathes humanity into the mannequin of her character with a vocal and physical presence that are both breathtaking. Annie Wensak’s Violet is another carefully weighted performance that skilfully mines the script’s comic seams.

The setting of the show is a little squashed at the Riverside, with perhaps budgetary constraints seeing Nik Corrall’s designs not doing justice to the actors’ flawless work. A nod though to Lez Brotherston’s Dior gowns, first and breathtakingly created for the show’s Sheffield premiere in 2016 and which have been generously loaned to this production, and also to Jonathan Gill's 6-piece band who are a delight.

But the evening belongs to Russell who delivers arguably the finest take on Ada Harris yet seen in this country. Flowers For Mrs Harris is gorgeous modern writing and an enchanting evening’s entertainment.


Runs until 25th November
Photo credit: Pamela Raith

Friday, 11 November 2022

My Fair Lady - Review

Wales Millenium Centre, Cardiff



*****


Music by Frederick Loewe
Lyrics and book by Alan Jay Lerner
Directed by Bartlett Sher



Charlotte Kennedy and company


It is rare that a West End production improves on the road, but so it is with Bartlett Sher’s My Fair Lady, touring the UK and Ireland after a short summer residency at London’s Coliseum.

The show, now with Michael Xavier and Charlotte Kennedy playing Professor Higgins and Eliza Doolittle, is a sensational take on the Broadway classic. The two leads fizz with a chemistry that fills the Millenium Centre, their complicated relationship evolving before our eyes. Michael Xavier is one of the country’s finest leading men of his generation and, aside from his top-notch vocal delivery he cracks the complex emotional dysfunctionality of Lerner and Loewe’s Professor.

Kennedy’s Eliza however is the show’s revelation. Not just in her stunning vocal presence, but in how she inhabits every song. Her transformation from cockney Covent Garden flower-girl to powerfully spoken young woman is mesmerising.  Wouldn’t It Be Loverly and I Could Have Danced All Night are long recognised as Eliza’s highlights – here however, not just smashing those all time favourites out of the park, Kennedy grasps the second act cracker of Show Me, transforming it into a fusion of rage, frustration and passion rarely seen on stage. Kennedy’s elegance and presence is equally astonishing, with her entrance just before the interval bejewelled and ballgowned (take a bow costume designer Catherine Zuber) ready for the Embassy Ball, proving literally breathtaking. There is more than a hint of Audrey Hepburn to this Eliza.

Adam Woodyatt makes the delightful transition from Albert Square to Lisson Grove as he takes on the role of Alfred P. Doolittle. Albeit a supporting role, Eliza’s father is a larger than life caricature of London’s working class and it takes a performer of massive character to play the role to its full, with Woodyatt a delight in both voice and persona. John Middleton’s Colonel Pickering makes for a faultless foil to Higgins, while Annie Wensak, stepping up to cover the part of Mrs Pearce on the night of this review is another treat. Tom Liggins as Freddie Eynsford-Hill gives an excellent performance of On The Street Where You Live that only adds to the evening’s delights.

The set design is ingenious, with Michael Yeargan’s scenery working well for a touring production. Londoners – who are often spoilt for cultural choice – have missed out on a local chance to catch this cast. Now touring the regions until April next year, Bartlett Sher’s My Fair Lady is, at last, unmissable musical theatre.


Photo credit: Marc Brenner