Wednesday, 25 February 2026

Bird Grove - Review

Hampstead Theatre, London



****



Written by Alexi Kaye Campbell
Directed by Anna Ledwich


Owen Teale and Elizabeth Dulau


Bird Grove is a well crafted and beautifully performed study on fathers, daughters and the conventions of the 19th century.

The title of the play is drawn from the Warwickshire home shared by Mary Ann Evans and her widowed father Robert. Mary Ann (played by Elizabeth Dulau) was an educated woman, as her father (played here by Owen Teale) was a traditionalist who, as his daughter’s challenges to his faith and his lifestyle become more apparent, finds such evolutionary thinking increasingly hard to bear. What makes this story even more remarkable is that Mary Ann was to go on and change her name to George Eliot, becoming one of the greatest forces in English literature of her time.

Dulau and Teale are magnificent protagonists. As Mary Ann rails against the stifling and oppressive chauvinism of the era, Dulau imbues her with a measured yet powerful presence. She commands our respect and as the evening evolves, our sympathy too, director Anna Ledwich deftly helming the narrative of Mary Ann's complex arc.

Teale is a man whose stature and character is chiselled from the granite of humanity. There are hints of both Lear and Tevye in his temperament and he commands his scenes with passion and pride, his love for his daughter matched only by his inability to recognise her wishes and desires. A man trapped by the strictures of both church and convention, his struggles are recognisable and, in many ways, timeless.

A handful of supporting characters enhance the narrative, with Jonnie Broadbent’s take on Horace Garfield, a would-be suitor to Mary Ann, proving a first-half cameo that comes close to stealing scenes, such is his comic excellence.

Alexi Kaye Campbell’s writing is, for the most part, delightful. His dialogues are deft, even if some of the plot’s advancement (notably the epilogue) is at times a little expositional and clunky. Sarah Beaton's set and Matt Haskin's lighting design create an elegant suggestion of the titular country house.

Fine new writing, Bird Grove makes for a night of provocative, stimulating theatre.


Runs until 21st March
Photo credit: Johan Persson

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