Marie & Rosetta - Revew

SohoPlace, London

*****

Written by George Brant

Directed by Monique Touko

Beverley Knight and Ntombizodwa Ndlovu

Journeying from Chichester and Kingston through 2025, Marie & Rosetta at last receives the West End opening it deserves. And like a smooth bourbon, this show has matured beautifully on the road, its double act of Beverley Knight and Ntombizodwa Ndlovu delivering one of the finest pieces of theatre to be found on a London stage.

Knight plays Sister Rosetta Tharpe, born in Arkansas in 1915 to cotton-picker parents, and who rose to become ‘The Godmother of Rock and Roll’. A gifted guitar player and even more blessed singer, Rosetta was to influence the greats including Chuck Berry, Jimi Hendrix and Elvis.

Ndlovu is Marie Knight, an equally gifted pianist singer with a heritage of a gospel, who for three years in the 1940s was to tour with Rosetta.

That’s the background - the genius of George Brant’s play is how the two women’s stories are woven into a narrative that speaks so much of the USA’s racial, social and musical history through the 20th century.

Born from the women’s success in the music industry, Brant sets out a narrative that reflects the pain they both endured. The damnable policies of segregation, the despicable behaviour of abusive partners together with brutal moments of domestic violence are all touched upon -  but it is the beauty of Brant’s imagined dialogues between the pair, so powerfully given life by the two performers, that makes for this evening of humbling and uplifting theatre. When Rosetta tells of having sung at church in the morning and The Cotton Club at night, a whole landscape is painted by Brant in those few words.

And then there’s the songs. Beverley Knight and Ntombizodwa Ndlovu are both blessed with magnificent vocal strengths, along with their impeccable acting skills. Fuse those talents with a bond that has been forged through this show’s evolutionary early months, and the result is a collection of songs that are delivered with such an intense authenticity, they transform the Soho Place into a gospel hall of love, passion and harmony.

Frequently sung a capella, the evening’s musical gems showcase a range of numbers from the period, all performed to perfection. Solos and duets pepper the evening, none more powerful than the two women singing Four or Five Times in exquisitely synchronised harmony and at a breathtaking tempo.

The chemistry that has evolved between Knight and Ndlovu is rare and precious. As the two women lift the roof off the Soho Place, they create an evening of unmissable theatre.

Runs until 11th April

Photo credit: Johan Persson