A Musical Celebration of Andrew Lloyd Webber - Review

Royal Hospital Chelsea, London

****

Fireworks over the Royal Hospital Chelsea

As part of this year's open air concert line-up Live At Chelsea, some of the biggest names in musical theatre were joined by the Royal Symphonic Concert Orchestra to celebrate the 70th Birthday of Andrew Lloyd Webber, one of the most influential musical theatre composers of all time. Compered by presenter Myleene Klass, the one-off concert was filled with gorgeous orchestral playing and staggering vocal performances across talent that ranged from recording artists such as Alfie Boe and Beverley Knight and stage stars Ben Forster and Jodie Prenger, as well as cast members from the noble Lord's current West End hits The Phantom of The Opera and School of Rock.

Taking place within the grounds of the magnificent Royal Hospital Chelsea, and running at just under 3 hours, the concert packed in 27 well-loved numbers, drawn from Lloyd Webber’s vast back catalogue. Perhaps unsurprisingly, the song list yielded few surprises as it focused on his most adored musicals, but with such performances on display the evening felt delightfully fresh from beginning to end.

Olivier Award Winner Tyrone Huntley opened the evening with Superstar from Jesus Christ Superstar. Huntley was to return in Act 2 to thrill the audiences with another of that show's numbers. Heaven On Their Minds, effortlessly demonstrating why he is one of today's most exciting musical theatre performers.

Amid the cosmic cluster of West End stalwarts, Ria Jones reprised her award-winning Norma Desmond from Sunset Boulevard. The show's timelessly cinematic score sounded sumptuous under John Rigby’s baton, with Jones’ take on As If We Never Said Goodbye probing magical, defining her deep and masterful connection to the show. Additionally, Michael Xavier who played Joe Gillis both at the Coliseum in the show’s 2016 revival and subsequently on Broadway, performed the musical’s title number to spine-tingling effect, rightly achieving one of the largest rounds of applause of the evening.

Headliners Boe and Knight were saved until after the interval, with Boe lending his rich tenor to an emotionally intense rendition of The Music of The Night from The Phantom of The Opera, while Knight brought the house down with Memory from Cats, her soulful vocals melding perfectly with the melancholy ballad.

After such an electrifying concert, it seemed only fitting that an explosion of fireworks brought the evening to a dazzling close, accompanied by the orchestra playing the audience out to a spirited version of Jellicle Cats. Featuring an abundance of striking performances, A Musical Celebration of Andrew Lloyd Webber was a grand spectacle of musical theatre greatness, and an appropriately lavish tribute to the impressive career of a man whose contribution to musical theatre not only on the West End but all around the world, is probably unparalleled.

Reviewed by Charlotte O'Growney

Photo credit: Jack Clark

Elf - Review

Dominion Theatre, London

***

Book by Thomas Meehan and Bob Martin

Music by Matthew Sklar

Lyrics by Chad Beguelin

Directed and choreographed by Morgan Young

Ben Forster and Kimberley Walsh

Twelve years after the movie scored itself into the global psyche as a modern day Christmas classic, the musical version of Elf makes its London premiere at the Dominion Theatre.

Elf's cute story would melt even the most glacial of hearts as it tells of apparently orphaned Buddy, who is inadvertently swept into Santa's sack and flown back to the North Pole. The movie's success proved the tale's potential for comedy along with much seasonal schmaltz as it follows Buddy's growing up with Santa and his quest to return to New York City to discover his true family.

Ben Forster as Buddy steals the show with an un-relenting charm and wide eyed enthusiasm. Forster's performance may well be inspired by the movie's Will Ferrell, a tough act to follow for sure, but the young Brit brings something new to the character and does a smashing job of maintaining an upbeat energy throughout the show.

TV and popstar Kimberly Walsh looks and sounds fabulous as Buddy's love interest Jovie, interjecting a perfectly measured counter-balance of humour to Buddy's Christmas enthusiasm.

Amongst the cast Joe McGann as Buddy's natural father Walter, who has to learn to love his newly-discovered son, offers up an ultimately touching turn. The elfin Jessica Martin as his wife Emily similarly convinces and there is a standout performance from Jennie Dale as Walter’s secretary Deb. Delivering one of the show's funniest performances, Dale earns rapturous applause from the crowd.

The producers have adopted a pricey ticketing approach to this show, with top premium tickets going for an eye watering £250+! Not unreasonably, expectations are stratospheric and they are not met. For that price one might well have expected the movie's famously hilarious shower scene to have been played out on stage in a fully plumbed in set (it isn't). And where Hollywood sprinkled the film with a generous helping of classic Christmas songs, Sklar and Beguelin's numbers (which to be fair are imaginatively staged by Morgan Young, including some lovely tap routines) written for the show are, for the most part, quickly forgotten. And, thinking of the little ones, bear in mind that even for £250, the show is at least 30 minutes too long. 

But hey, it’s Christmas - and whilst Elf may be little more than typically festive theatre fayre, it makes for a fun night out in the West End. The scenery and projections are smart and they even make it snow inside the Dominion!

Runs until 2nd January 2016

Guest reviewer: Josh Kemp