Showing posts with label Laurence R Harvey. Show all posts
Showing posts with label Laurence R Harvey. Show all posts

Thursday, 18 June 2015

The Human Centipede 3 (Final Sequence) - Review

ALERT:

THIS REVIEW COMMENTS UPON A VIOLENT HORROR MOVIE
IF YOU ARE EASILY OFFENDED, OR OF A SENSITIVE DISPOSITION, THEN PLEASE DO NOT READ ON

Certificate 18

***

Written and directed by Tom Six




Dieter Laser

The Human Centipede 3 - Final Sequence (HC3) marks the last chapter of Tom Six's trilogy of everyday folk who find themselves joined, stitched mouth-to-anus, to their fellow citizens. Throughout his series, Six has tended to play fast and loose with the word "centipede". His first movie's creature featured only 6 legs (formed of three unfortunates) whilst the beast in Final Sequence, formed of 500 souls, sports 2,000 limbs- but this is Hollywood so what's a leg-count here or there anyway?

The movies' notoriety has snowballed with each emerging sequel. HC1 took a "traditionally" horrific take on Six's vision, with German actor Dieter Laser portraying the deranged Doctor Heiter, who was to hand-craft the first creature, in an unflinchingly dark movie.

HC2's raison d'etre could not have been more corny, even if its metier was still born of a heart of darkness. Laurence R Harvey played Martin, a ghastly misfit, who is introduced to us watching a DVD of HC1, before going on to replicate Heiter's experiment himself. 

With the third film, Six adopts an end of term/semester approach to the concept. Where HCs 1 and 2 were dark, Final Sequence lobs in some ironic comedy and in so doing offers us what is possibly (and literally) the most tongue in cheek film ever made. 

Set in a prison in the southern USA, Six indulges himself with an outrageous grindhouse satire. Think of 2011's Hobo With A Shotgun that starred Rutger Hauer and you start to get an idea of ​​Six's skewed reality.

As a further nod to the franchise's heritage, both Laser and Lawrence return. This time the German plays Bill Boss, the stetson toting prison governor (deranged, natch) who also sports a phallus-replacing six-shooter, with Harvey as Dwight, his trusted sidekick accountant. When Dwight suggests that a human centipede would make for an ideal punishment in addition to incarceration, the movie takes off . 

Along the way, Six makes no bones about offending and exploiting everybody. Men and women alike are horrifically violated (there is no one-side sexploitational misogyny here), religion is mocked, with Hollywood B-listers Bree Olson and Eric Roberts adding to the carnage.

A satirical sub-theme hints at the story offering a version of violent and medieval punishment that much of the USA's right of centre population would happily see meted out to criminals. Six has to tread this particular mockery carefully especially as he is on record (and confirmed in a movie cameo) as saying that the idea of ​​the centipede came to him initially, as an appropriate form of punishment for paedophiles. 

There's minimal CGI on display here and what you see is the action that Six has photographed. Those with an insatiable appetite for taboo-busting cinema that includes, amongst other moments, scenes of castration, boiling-waterboarding and the eating (literally eating, this ain't porn) of both genders' genitalia will be more than entertained by what Six, his designer Rodrigo Cabral and their uber-talented special effects team have come up with. Oh, and just like in real life, the bad guy comes out on top too.

If you like your horror bloody yet still ridiculously overdone, you won't be disappointed. 


In cinemas from 10th July
Trailer http://youtu.be/xr-31o8xXqY

Saturday, 5 July 2014

Call Girl - Review

****

Written by Eric Havens
Directed by Jill Sixx Gevargizian






Call Girl is a short film with a twist. Its simple structure pitches Laurence R. Harvey, last seen as the obesely inadequate sadist in The Human Centipede 2 reprising his monstrous misogyny as Ed, a man who pays for his carnal satisfaction. Tristan Risk (known to many as the Betty Boop lookalike in American Mary) plays Mitzy, the hooker of the movie’s title.

Jill Sixx Gevargizian directs in another celebration of girl power. Suffice to say that although Ed’s intentions are thoroughly despicable, when he receives his visit from Mitzy, all is not what it seems.

Filmed entirely from Ed’s webcam’s point of view just occasionally the photography frustrates. The tale however is so compact and enhanced by Colin Lacativa’s music, that it flows with a swift wit. Gevargizian is learning her craft and this crowd-funded micro-movie is evidence of a talented young woman with Soska-like potential. A fun cast and a freakish tale make viewing Call Girl to be five minutes very well spent.