Music and lyrics by Jason Robert Brown
Directed by Séimí Campbell
|Rachel Tucker takes Just One Step in Songs For A New World|
The opening image of Séimí Campbell’s streamed production of Jason Robert Brown’s song cycle is profound. Staring out to an empty auditorium, a theatre’s ghost light, placed centre stage, defines the new world that has befallen the theatre community. Amidst a global pandemic, with nations vowing to build back better, this Songs For A New World is a timely production – made all the more technically and poignantly excellent through having been vocally recorded by each of the cast, isolated in their homes, on their smartphones.
The Opening Sequence: The New World, has Campbell intercutting his performers with a montage of darkened West End and Broadway venues, now dark as newsreel voiceovers tell of the blow that the Coronavirus has levelled at the theatre industry. The contrast between this bleak, current, reality – and the majestic power of the singer’s voices is devastating.
Campbell’s company comprises a quartet of the industry’s finest, with Rachel John, Ramin Karimloo, Cedric Neal and Rachel Tucker, each offering a cross between a masterclass and an episode of TV’s Through The Keyhole, as their respective performances display not only their musical theatre excellence, but also whirlwind tours of their respective residences.
But as an escape from lockdown, the show is glorious. Highlights of the cast’s excellence within such difficult circumstances (principal photography having taken place during Lockdown 1) are provided by all four leads. Tucker’s soaring, swooping take on Stars And The Moon (as well as a wonderfully provocative Surabaya Santa) is an honest, scorching take on life. Karimloo’s She Cries is exhilarating. John touches our hearts with her gorgeous Christmas Lullaby, while Neal’s King Of The World offers perception and power in his interpretation. A mention too for Shem Omari James, fittingly cast to lead Steam Train, a number all about young, raw talent making a name for themselves in adversity.
The creative crew are impressive too. Joshua Winstone and Adam Hoskins have made fine work of Brown's score, while Matt Ide and Danny Kaan deliver digital and audio wizardry in pulling the whole show together.
Above all though and as a paean to showbusiness, the production is ultimately a beacon of hope. To those artists in the industry that are tired of waiting, Brown’s lyrics are uplifting: “Hold on, hold fast”, and for any individual who is struggling emotionally or mentally “Listen to the song that I sing, you’ll be fine”.