Dreamgirls Original London Cast Recording - CD Review

****

Opening at the Savoy Theatre last year to multi-Olivier success, the original London cast recording of Dreamgirls has just been released, offering fans and newcomers alike a chance to recall or simply just savour the show's power and impact.

Captured over 4 nights' performances in February 2017 and produced by the show's composer Henry Krieger himself, the engineering standards of the recording are impressive – and whilst there is a perceptible live-theatre aura to the collected songs, the fidelity of both music and voice is virtually flawless.

Spread across 2 CDs, the 28 tracks are heavy on narrative - and if there is a criticism of the writing it could be that aside from a handful of sensational numbers, too many of the songs lack a lyrical wit. That being said, the big numbers are sensational. Dreamgirls (and its finale'd reprise) captures the pulse of the Motown-esque sound that Krieger aims for, while as Effie White, Amber Riley is of course sensational with the show's signature tune One Night Only and its showstopping act one closer, And I Am Telling You I'm Not Going that belts out of one’s speakers or headphones. Great music to drive to too!

The vocal excellence of the company stands out on the recording - Adam J. Bernard's Jimmy Early is a mini powerhouse, while any opportunity to hear Tyrone Huntley, a young actor who stands head and shoulders above his British peers and who plays C. C. White in the show, is a treat.

Remember though that this is a live recording. And so, when Riley simply walks on stage without having sung a word to make her nightly debut, the audience's gleeful whoops of delight are recorded on the CD too. Call me old fashioned perhaps but for years, on this side of the Atlantic at least, audiences have applauded in recognition of a job well done - rather than cheering on a star for simply showing up. How times change....

But, and make no mistake. Dreamgirls in the West End is playing to electrified packed houses night after night. Listen to this album and you can understand why!

Dreamgirls - Review

Savoy Theatre, London


****

Music by Henry Krieger
Lyrics and book by Tom Eyen
Directed and choreographed by Casey Nicholaw

Marisha Wallace

Dreamgirls is now well settled into the Savoy Theatre and comfortably booking up until the autumn. So for a reviewer with no real interest whatsoever in the TV series Glee or its much lauded star Amber Riley, what better way to assess the show than on the one night in the week when Ms Riley rests her remarkable larynx, with her Effie White played (as advertised) by Broadway diva Marisha Wallace.

The story of Dreamgirls should be well known by now. A fictitious yarn whose roots stretch back to the days of American segregation when soul and rhythm and blues, essentially “black music” (a description taken from the show’s programme notes) were striving to break into the pop charts. A Michigan trio The Dreamettes are backing vocals to R&B star Jimmy Early. Curtis Taylor Jr, an opportunistic manager recognises their potential and lures them away from Early to headline their own act billed as The Dreams. Along the way there’s love, rivalries and jealousies that play out to a backdrop of a ruthlessly cutthroat music business and some sensationally sung songs.

Strip away the music and Tom Eyen’s book is paper thin – it’s Henry Kreiger’s melodies that make the show. Wallace’s closing of the first half with a jaw dropping take on And I Am Telling You I’m Not Going proves a stunner of a powerhouse, that sends the (predominantly female) audience reeling as they totter to the bar for their half time Proseccos.

The show’s other big number is One Night Only - a song that many of today’s kids will have come to know through its X-Factor regularity, even though its chart history dates back to the 1980s – and the three Dreamgirls, along with the ensemble, give it a powerfully polished outing.

Credit where it’s due – Liisi LaFontaine and Ibinabo Jack are superb as Deena and Lorrell, Effie’s partners, Joe Aaron Reid’s Curtis is a pantomime baddy but he holds the stage magnificently. Adam J. Bernard’s Jimmy Early is a groin thrusting lithe limbed delight, while Tyrone Huntley as songwriter C.C. White is, yet again, simply magnificent in his West End presence. Huntley is already riding high in the nation's musical theatre pantheon – he can only soar further still.

Casey Nicholaw’s direction and choreography oozes imagination, Gregg Barnes costumes are as sexy as they are period-perfect, while in the pit Nick Finlow’s orchestra serve up Kreiger’s score with panache.

Bravo to Sonia Friedman and her co-producers for bringing this Broadway bonanza to London. It’s a great night out!

Booking to 21st October