Jerry's Girls - Review

Menier Chocolate Factory, London

****

Music and lyrics by Jerry Herman

Concepts by Larry Alford, Wayne Cilento and Jerry Herman

Directed by Hannah Chissick

Jessica Martin, Cassidy Janson, Julie Yammanee

A showcase of Jerry Herman’s most acclaimed compositions, Jerry’s Girls is an evening of a sung-through medley of numbers in a compilation that allows the songs to speak for themselves. Cassidy Janson, Julie Yammanee and Jessica Martin share the singing honours that sees Herman’s compositions either maintained as solo numbers or rearranged into duets or three-handlers. 

For the most part the evening is a delight, requiring little of the audience other than to sit back and enjoy the melodies, either free of the narrative that accompanied them in their original musical theatre outings or alternatively pricking our collective memories, inviting us to recall Herman’s marvellous shows and his gift for translating the human condition into song.

As always, Janson is fabulous, handling the big solos of I Won’t Send Roses and Time Heals Everything from Mack And Mabel with finesse. From the same show, Yammanee offers up a deli-cious Look What Happened to Mabel. Martin grabs the spotlight wonderfully in the comedy routine from Take It All Off. 

As would be expected Hello, Dolly! and La Cage Aux Folles feature heavily in the revue’s setlist as Janson powerfully closes act one with The Best Of Times. The second half goes on to include a gorgeous arrangement for three voices of I Am What I Am.

Hannah Chissick’s direction makes good use of the Menier’s compact space, but Matt Cole’s choreography could have been tighter. Some of his routines lacked precision and to replace the tap-dance of Tap Your Troubles Away with tapping typewriters rather than a short, but what could have been impressive, tap routine from his talented leading ladies was an opportunity missed.

Sarah Travis leads her 6-piece all-female band magnificently and her arrangements of Herman’s tunes are fabulous. If you’re looking for an evening of mellifluous musical pleasure, Travis’s music alone is worth the ticket!

Runs until 29th June

Photo credit: Tristram Kenton

Jerry's Girls - Review

Jermyn Street Theatre, London

****

Music and lyrics by Jerry Herman
Concepts by Larry Alford, Wayne Cilento and Jerry Herman
Directed by Kate Golledge

(l-r) Sarah-Louise Young, Emma Barton and Ria Jones

Drawn from the shows of Jerry Herman, Jerry’s Girls is a delightful cabaret that in the hands of three talented ladies, offers a whirl of show tunes that thoroughly deserves its hastily arranged return visit to Jermyn Street

  

Emma Barton, Ria Jones and Sarah-Louise Young are magnificent throughout, working their way through a set list that was originally put together for a Broadway revue back in the 1980’s. The compilation is rarely seen over here and credit to producers Katy Lipson and Guy James for having the ingenuity to have mounted it so successfully.

With perhaps the exception of Milk and Honey, the numbers are all familiar to musical theatre lovers and the combination of gloriously powerful belts intermingled with moments of the purest poignancy make for an evening that would be an emotional rollercoaster were it not all so ridiculously enjoyable. All of Herman’s big shows get a look in, with Barton’s Mabel in Wherever He Ain’t channelling an exquisite vocal presence that also suggests just a hint of Albert Square! From the same show, Young and Jones give a gorgeous and perfectly weighted nuance to I Won’t Send Roses. 

Herman’s humour sparkles, never wittier than in a song he wrote for the revue, Take It All Off, that wonderfully spoofs burlesque stripping. Again there is fabulous work from Young with Jones being disarmingly (and hilariously) self-deprecating as a stripper whose best years are behind her. 

There are nods to Hello Dolly throughout, with the show ending on a powerful tribute to all that La Cage Aux Folles stood for. Grins along with lumps-in-throats all round.

Kate Golledge directs assuredly, with an entertaining eye for detail. Matthew Cole choreographs cleverly too given the venue's intimacy and that Tap Your Troubles Away evolved into all three women tap-dancing, accompanied by pianist and MD Edward Court and his reed and mandolin playing partner Sophie Byrne on their feet too, (both fabulous musicians to boot) only added to the wondrous sparkle of the occasion. My one regret was not having discovered this gem of a show sooner so I could have had the opportunity to have returned to see it again.

Jerry’s Girls is only playing until May 31st. Barely lasting two hours, it offers West End entertainment at a fraction of a typical West End price. If you love what Broadway, Streisand, Merman & co were/are all about, then you’ll come out grinning. Go see this show!

Runs until 31st May

Jerry's Girls - Review

St James Studio, London

****

Created by Jerry Herman and Larry Alford

Directed by Kate Golledge

Sarah-Louise Young, Anna-Jane Casey and Ria Jones

After the relative failure of Mack & Mabel on Broadway, Jerry Herman took a break from composition and embraced interior design. It might seem an unusual departure for the writer of mega-hits such as Mame and Hello Dolly! but Herman was pragmatic about the highs and lows of the industry. In 1981 however, he teamed up with Larry Alford to create a small cabaret of his greatest hits called Jerry's Girls. The production was a modest success and when La Cage Aux Folles opened two years later, Herman was hot again and with a little tweaking Jerry's Girls was given a full-blown production, first in Florida and then on Broadway.

Perhaps embracing the original concept, Aria Productions puts the emphasis on the songs rather than spectacle and feature three diversely talented performers - Ria Jones, Anna-Jane Casey and Sarah-Louise Young -  each of whom bring something very special to the table. Director Kate Golledge recognises the lightness of touch required for this style of cabaret and allows this triple-threat trio a relatively free hand to engage properly with their audience.

Musically, the highlights come thick and fast, from the clinking glasses that herald Tap Your Troubles Away to the edifying anthem I Am What I Am, delivered with steely determination by an exceptional Jones. Casey proves once again a truly versatile performer, clambering across the grand piano trilling the hilarious Nelson and yet bringing such poignancy to If He Walked Into My Life. Young's comic timing is very much in evidence throughout, no doubt honed through years on the cabaret circuit and lending an easy familiarity to the nature of La Cage Aux Folles.

In the intimacy of the St James Studio Matthew Cole's choreography only really comes to the fore with the Tap Your Troubles Away routine. What this number actually highlights is the versatility of Edward Court on piano and Sophie Byrne on woodwind, who gamely join in the routine and establish themselves irrefutably as part of the ensemble.

Jerry's Girls is however something of a misnomer. The book lists a few token references to the great performers Herman wrote for including Carol Channing, Angela Lansbury and Bernadette Peters and of course, there are his creations such as Dolly Levi, Mame Dennis, Mabel Normand, Countess Aurelia from Dear World and -  somewhat ambiguously - Zaza from La Cage. Thankfully Jerry's Boys make a few appearances and it wouldn't really be a Herman retrospective without the lyrical signature tune from Mack and Mabel, I Won't Send Roses.

Whichever way you look at it, one thing Jerry's Girls will remind you of is Herman's mastery of the musical theatre idiom. A genius of lyric as well as music, you will leave Jerry's Girls anxious for a revival of Mame or at least a desire to check out Hello Dolly! on Netflix. Of course, dedicated Herman fans will have already caught the wonderful recent production of The Grand Tour at the Finborough and have probably already booked for Mack and Mabel at Chichester.

Runs until March 15th 2015

Guest Reviewer : Paul Vale